Monday musings: Inside the shell of character

November 26th, 2012

I love buying eggs from my next-door neighbor.

Aren’t they lovely?  So many different colors! On the outside, anyway — inside, eggs are eggs.  Lisa has at least four varieties of hens running around her yard, maybe even five or six.  It’s so much fun to look out my kitchen window and see them scurrying to and fro in search of bugs and other good things to eat.

We used to have chickens, too, but they eventually went into chicken retirement.  (You can read about that here.)  They provided not only eggs (and amusement), but also food for thought.  Click here for a link to a blog post from a few years back that was inspired by a little backyard observation.

That’s the best kind of observation, really, isn’t it?

So what does this motley dozen nesting on my kitchen table tell me today?  Well, perhaps that despite our outward trappings–race, nationality, gender, faith, age, political leanings, etc.–on the inside, where it really counts, we’re all the same.  As a writer, I’ve learned that it’s the inside of my characters that counts, too. Whether I’m writing about a girl on an adventure at sea in 1835 (THE VOYAGE OF PATIENCE GOODSPEED), a mouse who dreams of being a secret agent and the fifth grade boy who helps her out (THE BLACK PAW), modern-day stepsisters on the receiving end of a spell gone terribly wrong (ONCE UPON A TOAD), or a whole cast of moms and daughters who end up reading the classics together (THE MOTHER-DAUGHTER BOOK CLUB), it’s the heart of the matter that’s most important.

Sure, I need to pay attention to details like dress and appearance and mannerisms and all that.  It’s part of my job (and a very fun part, I might add) to make the window dressing as interesting and alluring as possible.  But what is it that really connects us to those who live out their lives on the written page? What is it that makes some characters wrap themselves around our hearts?  Think Charlotte and Wilbur in Charlotte’s Web.  Or India Opal Buloni in Because of Winn-Dixie.  Scout in To Kill a Mockingbird.  

It’s what’s on the inside, isn’t it?  It’s their hopes and fears and worries, their dreams and yearnings.  Those “inside the egg” things that each one of us can relate to, and that ultimately connect us all.  So when you’re writing, be sure to crack open that shell and breathe life into your character from the inside.

Give your character a heart, and it will speak to the heart in your reader.

 

 

 

 

 

The story behind the story

April 9th, 2012

Here’s something fun to start off the week — I’m a guest on Bookscope, a new feature on the Children’s Literature Network website that gives authors an opportunity to talk about how they came to write a particular book.  Click here to read all about the personal voyage that led me to write my very first book, THE VOYAGE OF PATIENCE GOODSPEED.

(Tip:  for fans of my Mother-Daughter Book Club series, Patience Goodspeed may remind you of a cross between Cassidy and Jess.)

By the way, HAPPY BIRTHDAY to THE VOYAGE OF PATIENCE GOODSPEED, which celebrates 10 years in print this month, and HAPPY ANNIVERSARY to Children’s Literature Network, which just celebrated ten wonderful years connecting readers to the world of children’s books!  If you’re not familiar with this fabulous website resource, you should be…

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